BiblioVault - Books by Lin, Jan

Creating Community

Life and Learning at Alabama State University

Edited by Karl E. Westhauser, Elaine M. Smith, and Jennifer A. Fremlin

University of Alabama Press, 2008

Creating Community explores how faculty members at Alabama State University, a historically black university in Montgomery, have been inspired by the legacy of African American culture and the civil rights movement and how they seek to interpret and extend that legacy through teaching, scholarship, and service. Authors describe a wide range of experiences from the era of segregation to the present day. These include accounts of growing up and going to college in Alabama, arriving in the South for the first time to teach at ASU, and the development of programs such as the National Center for the Study of Civil Rights and African American Culture. Together, the essays present viewpoints that reflect the diverse ethnic, cultural, and academic backgrounds of the contributors and of the university.

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Reconstructing Chinatown

Ethnic Enclave, Global Change

Jan Lin

University of Minnesota Press, 1998

An exploration of this fascinating community as a window on globalization.

In the American popular imagination, Chinatown is a mysterious and dangerous place, clannish and dilapidated, filled with sweatshops, vice, and organized crime. In this well-written and engaging volume, Jan Lin presents a real-world picture of New York City’s Chinatown, countering this “orientalist” view by looking at the human dimensions and the larger forces of globalization that make this vital neighborhood both unique and broadly instructive.

Using interviews with residents, firsthand observation, archival research, and U.S. census data, Lin delivers an informed, reliable picture of Chinatown today. Lin claims that to understand contemporary ethnic neighborhoods like this one we must dispense with notions of monolithic “community.” When he looks at Chinatown, Lin sees a neighborhood that is being rebuilt, both literally and economically. Rather than a clannish and unified peer group, he sees substantial class inequality and internal social conflict. There is also social change, most visibly manifested in dramatic episodes of collective action by sweatshop workers and community activists and in the growing influence of Chinatown’s denizens in electoral politics. Popular portrayals of Chinatown also reflect a new global reality: as American cities change with the international economy, traditional assumptions about immigrant incorporation into U.S. society alter as well. Lin describes the public disquiet and official response regarding immigration, sweatshops, and the influx of Asian capital. He outlines the ways that local, state, and federal governments have directed and gained from globalization in Chinatown through banking deregulation and urban redevelopment policy. Finally, Lin puts forth Chinatown as a central enclave in the “world city” of New York, arguing that globalization brings similar structural processes of urban change to diverse locations. In the end, Lin moves beyond the myth of Chinatown, clarifying the meaning of globalization and its myriad effects within the local context.

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Social Enterprise

A Global Comparison

Edited by Janelle A. Kerlin

University Press of New England, 2009

Social enterprise—the use of market-based, civil society approaches to address social issues—has been a growing phenomenon for over twenty years. Gathering essays by researchers and practitioners from around the globe, this volume examines, from a local perspective, the diverse ways in which social enterprise has emerged in different regions. Each chapter examines the conceptualization, history, legal and political frameworks, supporting institutions, and latest developments and challenges for social enterprise in a given region or country. In the final chapter, Janelle A. Kerlin presents a comparative analysis of the various models and contexts for social enterprise, showing how particular strengths in each environment lead to different enterprise initiative models.

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Wendell Castle

A Catalogue Raisonné, 1958–2012

Emily Evans Eerdmans

The Artist Book Foundation, 2014

Sculptor and furniture designer Wendell Castle (1932–2018) carved a distinct path in furniture making over nearly six decades of a distinguished career, and this long-awaited recording of his oeuvre, Wendell Castle: A Catalogue Raisonné, 1958–2012, beautifully presents the extraordinary scope of his artistry and craftsmanship. The voluminous accounting of his works, beginning with Castle’s earliest, mid-century works through to his unabashed experiments with unconventional materials (gel-coated fiberglass and metallic automobile paint) and his latest signature wood laminations, is comprehensive and detailed. Three essays of varying perspectives introduce the catalogue raisonné followed by an extensive accounting of his enormous oeuvre, his exhibitions, numerous awards, and the collections of his works, as well as a substantive bibliography. With his organic and whimsical approach to his various mediums, he seamlessly merged sculpture and design into one discipline, obscuring the distinction between the two. He invented the technique of carving stacked laminations of wood, and his later explorations into the qualities of fiberglass as a sculptural medium are unparalleled. Castle is widely collected and his works are in the permanent collections of more than 40 museums and cultural institutions around the world, including The Metropolitan Museum of Art (New York); Museum of Modern Art (New York); Smithsonian American Art Museum (Washington, DC); Musée des beaux-arts de Montréal (Quebec, Canada); and the Victoria and Albert Museum (London).Castle has also been the recipient of many honors and awards, including four National Endowment for the Arts grants, three honorary degrees, the American Craft Council Gold Medal, and a Life-time Achievement Award from the Brooklyn Museum of Art.

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